Edutch and Embla: Three

Reflecting on Early Creative Writing

A few years ago, I found my first printed story in a box of kid stuff sent up from my childhood home. I was seven when it was written, living on an Air Force Base in Mississippi. I distinctly remember the bright, red-brick face of the off-base grade school, tapioca-tiled halls that felt endless, the way the school bus bumped through the base gate every day.

The story is printed on tissue-thin paper in typewritten font, one long paragraph of thrilling familial commentary, and the spelling is, as you’d expect, absolutely flawless: 

Not bad, little Caledonia. A scrappy meat-eater-defying protagonist, a question posed and answered, an emotional journey complete. Bonus points for the electoral monarchy. I don’t remember writing it, but I can only assume my obsession with the Land Before Time was something of an influence. 

Derivative character name notwithstanding, finding this filled me with a mystifying sense of the Rightness of writing. The roots of a passion that started as soon as I could put down words. A bliss that had hold of me long before I could ever grasp it in return. 

That’s not to say I didn’t face the same disheartening challenges all burgeoning young writers must. My first memoir at the age of six was a commercial failure, resulting in inexplicable confusion when my first reader (mom) laughed and laughed. Looking back, I’d written out my daily schedule in clean, imperative sentences: On Monday, I woke up and brushed my teeth. I ate a Pop-Tart for breakfast. I went to school. On Tuesday, I woke up and brushed my teeth…

In sixth grade, we were asked to read our creative writing aloud. I bemused a teacher by trying to power through four pages single-spaced on the unlikely friendship between a girl and her dragon. Her feedback taught me the word prolific! and the power of passive critique. 

In seventh grade, I inherited the old family desktop, an ancient Dell that couldn’t connect to the internet but ran Microsoft Word like a dream, and that’s all I needed. Writing spilled out of me, endless hours, stories that flowed and flowed and never finished. Fantasy and science fiction and a middle-schooler’s idea of romance. I didn’t care to complete a story. I wanted the scenes, the meaty moments between people, triumph over hardship. 

I was obsessed with the gem of goodness mounted in the heart of a hard world. It was the only story that mattered, the only one I wanted to tell, in all its facets, under all its faces. I wanted my characters to love and be loved and to persevere. 

It’s still there, in my writing. The core of why I write, and why I share it. The most important thing.